Showing 17–23 of 23 results
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Willam Wegman
$75.00Catalog for the William Wegman exhibition at the Museo de Monterrey, Mexico from Oct. 14, 1993 – Jan. 2 1994. A collection of paintings and photographs with texts in Spanish & English
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William Christenberry: The Early Years, 1954-1968 by Gruber, J. Richard (1996) Hardcover
$41.91Presenting for the first time this major body of paintings and constructions, The Early Years places Christenberry’s work and his life in the South in significant new context. Nationally recognized as an artist, photographer, teacher, and arts advocate, William Christenberry has lived and worked in Washington, D.C
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Wish You Were Here: The Art of Adventure
$31.94Exhibition catalog from the Cleveland institute of Art including works by Bas Jan Ader, Alex Barker, Becket Bowes, Bruce & Joan, Amy Cutler, Christopher Fink, Christopher Sorg, Lordy Rodrigez
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Yoshitomo Nara + Graf A to Z
$150.00A to Z was an unprecedented exhibition where as many as 44 huts were gathered and installed in a old brick house in Aomori by Yoshitomo Nara and Graf. This richly illustrated catalogue details the exhibition and its creation in its full entirety, featuring a wealth of drawings by Nara. Includes a large poster, with a quintessential Nara reproduction, folded and sticky-taped in the inside back cover.
Yoshitomo Nara is a pioneering figure in contemporary art whose signature style—which expresses children in a range of emotional complexities from resistance and rebellion to quietude and contemplation—celebrates the introspective freedom of the imagination and the individual.
Yoshitomo Nara graduated from Aichi University of the Arts with a master’s degree in 1987, completing further studies at the Kunstakademie Düsseldorf, from 1988 to 1993, before settling in Cologne in 1994. This period of time was a pivotal influence on Nara, during which he began synthesizing Japanese and Western popular culture, as seen in Nachtwandern (1994), and when he arrived at his mature style, as seen in Pony Tail (1995) and Haze Days (1998). Nara’s paintings enact a fleeting presence between the figure and the ground—a result of several layers of paint in subtly varied if subdued pigments that he applies throughout the painting process—in which the figure pops out of or floats in a space that appears to exist outside the constraints of time.
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